INTRODUCTION
Creative place-making Toolbox
The creative place-making toolbox is a tool created through the Erasmus + project Creative place-making – the path to active European citizenship in the partnership of the association KA-MATRIX (Croatia), Urban Gorillas (Cyprus) and The Association of Cultural Heritage Education (Finland).
This toolbox is intended for all organizations and associations working in the field of youth activism, non-formal education and cultural heritage, as well as for people who work with young people.
It consists of work materials, manuals and examples that you can use when carrying out your place-making activities.
The toolbox is divided into five steps called Place-making steps that guide you in a structured way from the beginning to the end of planning your actions.
But what exactly IS creative place-making?
Place-making is a process of creating and/or transforming public spaces with the focus on people, their needs and desires, aspirations, and visions about common public spaces. It is a process in which different stakeholders collaborate together with a goal of re-imagining and reinventing public spaces which will be opened and accessible to a wider community.
Creative place-making is place-making which involves community members, artists, arts and cultural organizations and other stakeholders (that you find important in this process) with focus on creative cultural and artistic ways of transforming public space.
Of course there are different interpretations of the definitions but they all agree that creative place-making involves arts and culture.
This toolbox is helping you to learn how to conduct place transformation that has to do with cultural heritage. But what is cultural heritage to youth?
Cultural Heritage Education
Cultural heritage is the result of human activity and interaction with the environment. Cultural heritage can be tangible, intangible or digital. Cultural heritage is renewed, preserved and passed onto future generations; It is about changing values, beliefs, knowledge, skills and traditions.
Cultural heritage education is a goal-oriented activity that supports the growth and development of people by strengthening their cultural competences and ensuring their inclusion. The aim is to provide everyone with cultural literacy: the knowledge, skills and abilities to identify, define, evaluate, manage and protect cultural heritage and to create new cultural heritage.
The multi-disciplinary exploration of one’s own cultural heritage and the cultural phenomena of humanity as a whole, together with others, broadens an understanding of cultural diversity and strengthens intercultural dialogue. Cultural heritage education strengthens the ability of children and young people to understand the importance of culture for individuals, communities and societies: for overall well-being, sustainability and democracy. It also strengthens the ability to identify silent and difficult cultural heritage and the use of cultural heritage to promote political or other interests.
Cultural heritage education teaches culturally sustainable development and overall sustainability skills. It strengthens the ability to openly and critically evaluate past solutions and the cultural ideals, values and societal developments that underpin them.
Tip: A great tool for starting a discussion on cultural heritage with youth is the Spinner of living heritage: https://www.aineetonkulttuuriperinto.fi/assets/Spinner_EN.pdf
About the Toolbox for creative
place-making for cultural heritage
with youth
The toolbox “Creative Place-making for Cultural Heritage with Youth” consist of five steps:
1. WITH WHOM: Stakeholder mapping and analysis
2. WHERE & WHY: Space evaluation & current situation
3. WHAT COULD BE: Visioning desired change & Design
4. CHANGE: Short term and/or long term spatial Interventions
5. CELEBRATION
The first two steps of the process for Creative Place-making for Cultural Heritage with Youth concern the identification of the software-hardware-orgware[1] interaction triangle.his activity plan consist of questions you need to ask yourselves when implementing the intervention
SOFTWARE
the users, their movement/interaction patterns & their experience.
This is explored in Step 1 “With Whom”
HARDWARE
the built environment, the shaping of buildings and open spaces
ORGWARE
the organization of functions, the daily management of activities including maintenance of the space.
The hardware and orgware are identified in Step 2 “Where & Why”
Oftentimes, the Step 1 “With Whom” and the Step 2 “Where & Why” may be very brief, especially if the reason for initiating the process arises from your interaction with a specific community (in this case you already know WITH WHOM you are co-creating with) or it arises from your interest in a specific location (in this case you already know WHERE & WHY you are starting a creative place-making process).
Cultural agents who wish to use the methodology and process described in the Toolbox Creative Place-making for Cultural Heritage with Youth may eventually decide to switch the order between Step 1 and Step 2, based on the specific case.
[1] Van ‘t Hoff, Mattijs & Karssenberg, Hans & Laven, Jeroen & Glaser, Meredith. (2016). The City at Eye Level. Second and Extended Version.
CREATIVE PLACEMAKING TOOLBOX – PDF
(english)
PUBLISHER
KA-MATRIX
Association for social development
Jurja Haulika 22.
47 000 Karlovac
Croatia
email: info@ka-matrix.hr
web: www. ka-matrix.hr
FB: https://www.facebook.com/UDRUGAKAMATRIX
PARTNERS:
SUOMEN KULTTUURIPERINTÖKASVATUKSEN SEURA RY
Association of Cultural Heritage Education in Finland
Hallituskatu 2 B,
Business ID: 2148270–7
00170 Helsinki
Finland
email: info@kulttuuriperintokasvatus.fi
web: kulttuuriperintokasvatus.fi
FB: www.facebook.com/kupekasvatus
URBAN GORILLAS
78 Vasileos pavlou
1021 Nicosia
Cyprus
AUTHORS:
KA- MATRIX:
Manuela Kasunić & Denis Mikšić
SUOMEN KULTTUURIPERINTÖKASVATUKSEN SEURA:
Eeva Astala & Ira Vihreälehto
URBAN GORILLAS:
Despo Pasia & Marina Kyriakou
IMAGES & ICONS:
private archive | freepik.com | flaticon.com
DESIGN:
Studio Ratković
This website reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.